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When I was young, I believed that Copyright had to do with a giant C inside of a circle. If that image was on your work, it was untouchable. However, this technically is not the case today in the U.S. According to the U.S. Copyright Office, “Your work is under copyright protection the moment it is created and fixed in a tangible form that is perceptible either directly or with the aid of a machine or device.” A kindergartener’s drawing is copyrighted the moment they place the crayon on the paper. But it can’t be as simple as that can it? Well, yes and no.
You could register for protection, but it is completely voluntary. There are benefits to registration though, mostly when dealing with lawsuits for infringement. It is much easier to prove a work is yours when it goes on the public record. However, technically, anything you create “in a tangible form” is automatically under copyright protection. But what does that mean to the rest of the world.
Whatever you create is automatically off limits. For this reason, I press for everyone to obtain creative commons licenses for their works. Of course there are exceptions to every rule, but the majority of works out there should be free to be built off of, changed, manipulated, and used to express. The millions of copyrighted works created each day slowly takes away the freedom to express. Claiming a certain work as your own intellectual property blocks others from expressing their ideas in any manner remotely similar, out of fear of lawsuits and illegality.
Several creative commons licenses exist for a variety of different purposes and works. By using one of these licenses, you can allow a freer use of your creation, promoting others to change and possibly better your work, or at least redistribute it without fear. This is more an asking for change to those unaware. If you know your work is copyrighted and wanted it that way for a reason, so be it. But, if you have been creating works and you do not mind others sharing them, even possibly changing them, then please consider putting a creative commons license on your work. An automatic copyright automatically closes off many possibilities for others.

Do You Have Copyright?

Check out the movie RIP: A Remix Manifesto: http://ripremix.com/


Remixes and Mashups are becoming a larger part of our culture. Taking creative works that have come before and manipulating and presenting them in new ways is a form of art in itself. It has become more popular since the rise of the amateur creator, not that their work is amateurish, but they are not paid to create professionally. However, copyright would see to crush this form of expression. This is one of the main reasons I created this site. There are generations who are being held back by copyright and all of its confusing aspects. Most people jump to the fact that copyright is evil and should be fought against. However, much like Stanford Law Professor Lawrence Lessig, I believe that there is a balance that can be achieved. Before we can reach this point, we need to educate ourselves on the matter at hand, in order to properly approach and deal with it.

Remix and Mashup Culture

Copyright Around the World

Check this out: http://copyright-watch.org/home

This site keeps track of copyright laws and commentaries all around the world! The United States might be headed in a certain direction (mostly the wrong one in my opinion), but maybe another country is headed in the right direction. Go on and see for yourself.

Did the Mouse Do It?

I’m writing this to clarify something. It seems that many people seek to blame Disney and other mega-corporations for the extension of copyright. While the mouse may take a small chunk of the blame, in actuality the majority of the blame falls upon Europe’s extension of copyright. The Congress, in order to maintain the international standard, extended US copyright to match Europe’s copyright, after the author is dead plus 70 years; this extension is called the 1998 Sonny Bono Act. Yes, I will admit, Steamboat Willie’s own copyright dates are beyond suspicious, but the bigger issue stood with international competition.

Check out these articles to see more:

http://techliberation.com/2009/08/06/copyright-duration-and-the-mickey-mouse-curve/

http://cyber.law.harvard.edu/openlaw/eldredvashcroft/cyber/purpose.html

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